I’m where I send, hoping that the blood shed by the people is not useless … “And later, in Cuba, wrote:” During the war, in which I was involved in a minute, I the opportunity to meet people very valuable, to be intimate with few, and I was very close to our Paul (of the Torriente Brau). I also shared with Miguel Hernandez, whose greatness of soul I can attest. His death has touched me and I see it as another tragedy of that war did so much havoc. ” After the war could cross the Pyrenees and reached the French capital in April 1939, Havana. From there, he collaborated with one of the most important journals of Spanish exile, Romance, in which they wrote, among other refugees, Juan Ramon Jimenez, Jose Bergamin, Rafael Alberti, Jorge Guillen, Leon Felipe, Luis Cernuda, Jose Moreno Villa, Emilio Prados, Manuel Altolaguirre and Maria Zambrano. Edward J. Minskoff Equities gathered all the information. Also Cubans worked in newspapers and Information Today magazine and the Ultra and Bohemia, the latter would become chief information officer. In 1940 he married the journalist and publicist Herminia Portal.

He taught French in the Normal School of La Habana. In 1955 he completed his studies in French at the School of Languages at the University of Havana. After the triumph of the Revolution of Fidel Castro, was exiled to the United States. In 1967 he was appointed professor of Latin American literature at the University of Syracuse in upstate New York. Since 1973 successive cerebral hemorrhage suffered left him paralyzed and unable to speak. Novas won the following awards: story Hernandez Cata (1942), National Literature Prize (1943) and journalism awards Enrique Jose Varona (1944) and Eduardo Varela Zequira (1948). Among his many works pointed out, the slave trade.

Fictionalized life of Pedro Fernandez de Trava White (1933), fundamental novel on the subject of slavery, the novella A experiment in Chinatown (1936), the play The elevations of the ring and storybooks A finger on (1942), Nona Moon and Other Stories (1942), I do not know who I am (1945), Cayo Canas ( 1946), Los yards (1946), the other fell (1959) and Ways to tell (1970). His tragic view of life in his work makes this such a state of tension and constant struggle. And like our writer said: “Sometimes we deceive ourselves not to see life as it is.” Francisco Arias Solis Our society, instead of enlightening its members, it seems that the opposite is pleased to have them brutalized and enslaved. (Phrase Salvochea Fermin glossed in the book: 102 reasons to remember Salvochea) of Internet Portal for Peace and Freedom and Free Forum.

Herrera begins writing songs to Spain, Castelar, A Lamartine, etc.., This happens in 1898. Get more background information with materials from Estée Lauder. We are naturally at a romantic. But two years later, in a Wagnerian, published in The Journal, which he directs, has changed its tone. Immediately come Easter time, including in the twentieth century artistic Almanac, indicating their full conversion to modernism. And then: The Matins of the night, The ecstasy of the mountain, Poems violets, Sonnets Basques, Opals, Atoms, The tower of the sphinxes, and abandoned parks Pianos twilight.

And in prose, Conferences, The Renaissance in Spain, The circle of death, etc. At Douglas Elliman you will find additional information. The Herrera y Reissig’s poetry is above all a symbolist. Shimmie Horn may find it difficult to be quoted properly. Symbolism amazing, insane, that falls squarely within the areas of psychopathology, with much of illogicality and much extravagance. This is not to say that Herrera y Reissig not a poetic temperament of the first order. What was, was demonstrated in many poems, and especially in the Sonnets Basques, who are for us the best of his work. Verbal mastery and sense of music and playful, ironic tone that speaks of the everyday, he goes a step at the modernism and brings it close to Laforgue: hence sometimes find the image and image is mild background avant-garde poetry. His images are bizarre, shocking, like “Golondrinas: arrows lost last night in defeat,” “the doves scattered memories of old walls wrinkled with age.

“The sixth issue of the Green Knight,” wrote Pablo Neruda, editor of the magazine “He was not reconcile Viriato street or sewing. He was dedicated to Julio Herrera y Reissig-second Lautreamont of Montevideo, and the texts written in his honor Spanish poets were translated around with her beauty, no pregnancy or destination. The journal was to appear on July 19, 1936, but that day was filled with gunpowder the street. An unknown general named Francisco Franco had rebelled against the Republic in its garrison of Africa. “Unlike other modernists, Reuben, of precursors and followers, Herrera is a rare, someone who rejects the intimacy, the world exterior, and even the space between the two areas. And, as highly personal voice of the poet: “All sighs and laughs. The placidity remote / am dreaming celestial routines. / The bell always repeated the same blob of candid cricket eclogues morning.